Deti Picasso Reviewed
I first heard the music of Deti Picasso two years ago and liked what I heard. Too often, most contemporary Armenian music falls into one of three categories — traditional, rabiz, very mediocre pop, or a combination of all three. Add to that the unfortunate tendency for most rock bands here in Armenia to content themselves with playing covers of rock classics, there are too few bands that represent anything original.
Certainly, there is little that appeals to a number of listeners that want something original that they can listen to because it’s good music rather than anything sung by an Armenian regardless of quality. I suppose we can consider System of a Down as something exceptional here, but after them, what? Well, we do have Bambir and MDP in Armenia, but they appeal to the same audience of young Armenian rockers. There is little, if nothing, else.
Which is why I love Deti Picasso from what I’ve heard so far. Raffi Meneshian, founder of Pomegranate Music and Executive Director of Yeraz Art, now offers a review of a CD by the band over at Cilicia.com’s Life in the Armenian Diaspora.
The band Deti Picasso is from Russia. Two of the members are Armenian in lead singer Gaya Harutyunyan and brother/guitar player Garen Harutyunyan. The 2004 CD “Ethnic Experiments” is sandwiched in between two other releases, 2002’s “Mesjac Ulybok” (CD Land Records), and their new 2006 release “Glubina” (Deep Movement). They are not considered “Armenian artists” in the sense that they cater to the Moscow rock/punk/experimental music scene and sing mainly in Russian. That’s their bread and butter. Like many ethnic Armenians in Europe and North America, they presumably decided to dabble into their roots and as the CD title states, create “Ethnic Experiments”. They have a cult following in Armenia and have given several very successful club concerts there, despite the general indifference toward rock music in the Homeland.
Whether I simply casually listen, review, or produce artistic risk-takers, there is a high degree of respect that is accorded to them right off the bat from me. I first heard an MP3 song (Im Gala) that was somehow sent to me via email in 2004 via Christina Sarkissian (the person who gave me a copy of Bambir- Quake while in the US) via Gor Mkhitarian. I had never heard Armenian music performed like this before. Yet, I was confused on whether I actually liked the music and needed more of a sample set. So, finally, after 2 years of looking around, I finally bought an authentic CD of “Ethnic Experiments” at the Avant Garde Folk Club on Pushkin this summer and have had time to ponder and absorb the music.









